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Palm Springs and Mid-Century Modernism Mid-century modern room As early as the s, the Coachella Valley, and particularly Palm Springs, became known for the dry clear climate and mild warm winters which were so helpful to those recuperating from serious respiratory conditions. Wealthy people from all over the country, wishing to escape the winter snows and cold, soon began to value the area for relaxation and fun and as a place to enjoy the stark beauty and contrast of the scenic wonders the desert offered.

Soon the area became a get-away playground for the Hollywood elite and the stars created their own burgeoning movie colony here in the desert. The stars could stroll down the main streets and enjoy themselves in the restaurants and watering holes in relative comfort confident in being fairly anonymous. Because these homes were not the primary residences of the occupants, the owners felt that they had more freedom to take architectural risks in the designs.

The uniqueness of the desert landscape and environment and the luminous, rich, clear and strong light required an architecture that was sophisticated and understated — one that would blend with the spectacular austereness and palette of the desert. The desert was a blank canvas to the architect, open to creative and innovative approaches in new lines, angles, and textures that worked with the environment.

It inspired artists to work with, blending and contrasting, the natural materials in abundance around them. Dolly Faibyshev states in her book Palm Springs Mid-Century Modern, that Palm Springs has one of the largest concentrations of mid-century modern architecture in the country. Many of the most famous architects of the period were inspired by the desert environment.

Quincy Jones, among many other notables, were able to envision, design and play with new and innovative architectural features. The style emphasized creating structures with broad generous windows and open floor plans, all to the intention of opening up interior spaces and bringing the outside in. The novel post and beam design eliminated the need for heavy and bulky support walls in favor of walls that seemed to be made of glass.

In mid-century designs, function did not follow form, it was as important as form.